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Meteor Girl: Origins Issue One, Written By Steven Robert Pearce

Page One, Four Panel Layout.

Panel: one
EXT. SPACE

Wide Shot. Space. A small spark of light has appeared off in the distance.

Panel: two
Same shot as before but a yellow streak of fantastic light has zoomed out of the spark towards the reader.

Panel: three
EXT. EARTH

Establishing Shot. The streak of light has zoomed over the moon towards the Earth.

CAP:
Earth… Home to a race called Humans

Panel: four
EXT. EARTH – UPPER ATMOSPHERE

Medium shot. A meteor, wrapped in flames, burns upon entering the upper atmosphere.

Page Two, Splash Page layout.

Splash Page
EXT. DOCKS, SEATTLE – NIGHT

In an alleyway between two warehouses, looking out over LAKE WASHINGTON toward the cityscape of Seattle, a bum in worn and filth-ridden clothes sleeps against the wall with a bottle of bourbon in his hand.
The yellow streaking meteor is small, zooming over the city in the background. It is heading for the lake.

Page Three, Seven Panel layout.

Panel: one
Medium Shot. The meteor crashes into the lake with a mighty splash.

Panel: two
Medium Shot. The bum wakes up startled.

BUM:
Wha?! Whothere?!
Panel: three
Medium Shot. The bum looks around, wondering what had happened.

BUM:
Whothere?!

Panel: four
Medium Shot. He opens up the bottle of bourbon, looking at it is a life giving elixir.

BUM:
Myboozemybooze.

Panel: five
Close Up. The bum drinks the bourbon.

Panel: six
Over shoulder, medium shot. In the alleyway, while the bum continues to drink from the bourbon bottle, a thin, skeletal-like shadow walks the bum, dripping wet. Its eyes glowing a deadly red.

Panel: seven
Medium Shot. Ivory white legs with black piping and wires stand beside the bum who is still drinking. The bum looks at them as he drinks.

Page Four, Four Panel Layout.

Panel: one
Medium Shot. An ivory white arm and hand with black piping and wires grabs the bum by the neck. The bum is terrified.

BUM:
Urk!

Panel: two
Medium Shot. The bum is dragged into the shadows of the alleyway between the two warehouses.

Panel: three
Same Shot. Nothing is going on. Just the shadows in the alleyway between the two warehouses.

Panel: four
Same Shot. The 'bum' walks out of the shadows tall and adjusting his shabby clothing.

Page Five, Three Panel Layout.

Panel: one
Medium Shot. The 'bum' looks at a futuristic watch on his wrist.  A holographic image is displaying a topographical map of Seattle with certain areas lightened up.

Panel: two
Medium Shot. The 'bum' looks out towards the city off in the distance.

Panel: three
Full Shot. The 'bum' walks towards the reader, his eyes glowing red. There are bones in the alleyway behind him. The sun is rising.

Page Six, Three Panel Layout with Insert.

Panel: one
INT. LUCY ANNA'S ROOM – DAY

Close Up. An alarm clock that reads 6:30 with a pair of thick rimmed glasses lying next to it.

CLOCK:
Beep, Beep!

OFF PANEL:
Oh…let me…(Yawn)…sleep.

Panel: two
Same Shot. A girl's hand picks up the glasses.

OFF PANEL:
Alright…I'm up.

CLOCK:
Beep, Beep!

Insert
Close Up. The girl's hand slams down upon the alarm clock.

OFF PANEL:
Shut up already.

Panel: three
Medium Shot. Lucy Anna Dawn is sat up in bed stretching the kinks out of her system. Her hair is tied up in a ponytail. She is wearing a black 'Empire Strikes Back' T-Shirt. Her room is that of a typical nerd. Posters featuring various Sci-Fi movies. There are Superhero statuettes on a desk in the far corner which also has a computer on it. There are also books upon a shelf above the desk.

CAP:
My name is Lucy Anna.
I'm what your call a typical fifteen year
old high school girl. Meaning I think of
nothing but boys and sex.

Page Seven, Four Panel Layout with Insert.

Panel: one
Medium Shot. Lucy Anna is now sitting on the side edge of her bed, putting on her slippers.

CAP:
That and waiting for the next issue of the
'Amazing Spider-Man'. Don't know why I read it.
Joe Quesada totally ruined it.

CAP:
Surprised I like to read comic books?
Girls do read comics you know.

Panel: two
Medium Shot. Lucy Anna is now sorting through her chest-of-draws for shirts to wear.

CAP:
Anyway. Soon I'll be turning
sixteen. Yippee!

CAP:
Funny, with all the trouble I've caused Mom,
I'm surprised I've made it that far.

Panel: three
Medium Shot. Lucy Anna is trying to pull on a pair of blue jeans. She is now wearing a black frilled blouse.

CAP:
But that is two days away.
Today will be the day. The day where I will conquer
my fears. The day I overcoming the greatest obstacle in my
entire life.

Insert
Close Up. With her lips pursed, Lucy Anna is putting on purple lipstick.

Panel: four
Medium Shot. Lucy Anna is posing in front of a mirror. She is pushing her hair up, trying to look sultry.

CAP:
The day I will ask him out.
After school. Or maybe I should trap him on my birthday
so he can't say no.

CAP:
That sounds way too devious. Even for me.
I just hope I look sexy enough to
finally get his attention.

CAP:
If not sexy, sultry.
Damn girl! You're looking as hot as
Hell!

Page Eight, Five Panel Layout.

Panel: one
INT. KITCHEN – DAY

Lucy Anna is sitting at the kitchen table eating toast while her mother, Caroline Dawn, is pouring juice into a glass.

CAROLINE:
So who is the lucky guy, huh?

LUCY ANNA:
I have no idea what you're talking about.

Panel: two
Medium Shot. Caroline looks at Lucy Anna with a knowing look while Lucy Anna looks away embarrassed.

CAROLINE:
You're dressed up like you're on the prowl
and wearing my push-up bra. Who is he Lu-Anna?

LUCY ANNA:
Don't call me that, Mom. And it's no one. Geez.

Panel: three
Medium Shot. Caroline walks away from Lucy Anna smiling while Lucy Anna drinks her juice.

CAROLINE:
He must be very special for
you to get all dolled up for him.

LUCY ANNA:
I'm not even going to dignify that
with a response.

Panel: four
Medium Shot. Caroline is at the sink washing dishes while Lucy Anna spits out her juice, probably reacting to what her mother said.

CAROLINE:
I just hope you use protection when you get hold
of the poor guy. I'm too young to be a granny.

Panel: five
Medium Shot. Lucy Anna looks at her Mom with an angry expression. Caroline has her back to Lucy Anna and she is smiling.

LUCY ANNA:
I can't believe you just said that!

CAROLINE:
You're turning sixteen in a few days. You're practically
a grown up. So… do you still want that
'My Little Pony' birthday cake?
Page Nine, Four Panel Layout.

Panel: one
INT. CORRIDOR – DAY

Medium Shot. Lucy Anna walks out of the Kitchen still looking angry. In the kitchen, Caroline looks on worried.

LUCY ANNA:
I'm going to school.

CAROLINE:
Lu-Anna, I'm sorry. You know I was only
joking, right.

LUCY ANNA:
I know Mom…

Panel: two
Close Shot. Lucy Anna looks over shoulder with a weak smile.

LUCY ANNA:
…but this means a lot to me.

Panel: three
Medium Shot. Lucy Anna is putting on her backpack as Caroline stands in the doorway to the Kitchen, drying hands with a kitchen towel and beaming with delight.

CAROLINE:
You going to ask him out?

LUCY ANNA:
Yes. I am.

CAROLINE:
About time of if you asked me.

LUCY ANNA:
No one asked you Mom.

CAROLINE:
None of your lip, Lu-Anna.

Panel: four
Medium Shot. Lucy Anna kisses Caroline on the cheek.

LUCY ANNA:
I'll see you at dinner time.
Love you Mom.

CAROLINE:
I love you too, honey.

Page Ten, Four Panel Layout.

Panel: one
EXT. DAWN RESIDANCE – DAY

Medium Shot. Lucy Anna walks down the steps from her home.

CAP:
My Mom can be so annoying sometimes.
But I still love her.

CAP:
Even if she isn't my real mother.

Panel: two
EXT. STREET – DAY

Medium shot. Lucy Anna is walking down the street with a nervous look.

CAP:
I was adopted nearly
sixteen years ago.

CAP:
I don't know who my parents
were.

Panel: three
Medium Shot. Over shoulder. Lucy Anna looks at the bracelet on her wrist, with weird etchings on it.

CAP:
All I have of them, is this
stupid braclet with this weird writing
all over it.

Panel: four
Close Up. Lucy Anna's hand has dropped down by her side. The etchings are more clearer, alien like

CAP:
I don't know who I am, or what I am.
Why did they abandoned me?

Page Eleven, Three Panel Layout.

Panel: one
Medium Shot. Lucy Anna walks further down the street. There is a hooded figure behind a tree.

CAP:
Come on Lucy, you don't need to
think like that. Just get to school and
forget the whole thing.

CAP:
Unless something brings it back up.
Knowing my luck, somebody will.
Panel: two
Some Shot. Lucy Anna is going off panel. The hooded figure has stepped out from behind the tree.

Panel: three
Same Shot. Lucy Anna is now gone. The hooded figure is still there.

Page Twelve, Splash Panel.

Splash Panel:
Medium Shot. A man (CADE) in a tatty hoodie and loose worn jeans looks on. His right hand is heavily gloved.

MAN:
Please, Goddess. Keep her safe.

Page Thirteen, Two Panel Layout.

Panel: one
EXT. SPACE, ABOVE THE EARTH

A battle ravaged starship orbits the Earth. It is old and metal grey. Its engines are emitting blue coloured thrust.

CAP:
*The Saluka. She was once
the greatest cruiser in the Erakudian fleet…

Panel: two
INT. CORRIDOR, THE SALUKA

Medium Shot. Sarkon (very Adama like from the modern BSG), looking old yet strong, walks down and empty corridor that is old and falling apart. It's as if it has been through many battles.

CAP:
*Now she stands as an old keeper
maintaining an ever watchful eye on the
planet these 'locals' call Earth.

CAP:
*Ever since the war, our 'Civil' War began,
she has been running from every conquered
system in our Empire to the furthest
reaches of the known galaxy.

CAP:
*But it is what we have to do to protect what
remains of our peaceful way of life…

NOTE:
*  in alien language,
SP

Page Fourteen, Three Panel Layout.

Panel: one
INT. COMMAND DECK, THE SALUKA

Sarkon walks up small steps toward the command deck. It is a large room with several computer stations (with only a few officers to operate them) and a large glass screen displaying scans and area maps of Earth in the centre. A young commander looks at the screen.

CAP:
*And to keep my
grandchild safe.

SARKON:
*Report Davrin!
How goes the patrol.

Panel: two
Medium Shot. Davrin salutes Sarkon who stands at ease.

DAVRIN:
*We picked up an energy reading on course
for the Earth, Captain.
But our sensors went down. We
are trying to get them back up now.

Panel: three
Medium Shot. Through the screen, Sarkon looks at the display on it as Davrin explains.

SARKON:
*Great. Another malfunction.
Did you get any interceptors out there.

DAVRIN:
*Most of the squad is planet-side.
It wouldn't have mattered. With the sensors out,
we couldn't trace it.

Page Fifteen, Four Panel Layout.

Panel: one
Medium Shot. Sarkon shoots Davrin an angry look, Davrin backs off.

SARKON:
*By the goddess.
Can't we do anything right.

DAVRIN:
*With all due respect, Captain.
The Saluka is past her best now.
With the amount of battle damage
the girl has taken over the years,
she should have been putout years ago.

Panel: two
Medium Shot. Sarkon rubs his tired eyes as a young female officer hands Davrin a pad.

DAVRIN:
*Half the crew has left and formed new
lives on the Earth…

SARKON:
*And the rescued civilians want to
do the same. By Goddess.

Panel: three
Medium Shot. An officer from the side stations speaks to them. Sarkon and Davrin look toward him.

OFFICER:
*Sirs.
Sensors are back online.

SARKON:
*Good. Get the tracker up on the screen.
I want to find that thing before it causes
anymore chaos.

Panel: four
Close Up. On the screen, a map of Seattle is displayed showing three dots, two green and one red. Davrin's finger points at the red dot.

DAVRIN:
*There sir!.
That's the new signature.
I'm guessing it could be a Seeker.

OFF PANEL:
*What are the other two
nearby? Former crew members.

DAVRIN:
*No, Captain. One of them is…
The Basalin.

Page Sixteen, Five Panel Layout.

Panel: one
Medium Shot. Davrin continues to look at the screen as Sarkon, arms folded, looks intently at the screen as well.

DAVRIN:
*Why in the name of the Goddess
did you give him the mission?

SARKON:
*I had no choice. He is the only one
with the power to find her and protector her.

SARKON:
*Who's the other?

Panel: two
Close Up. Davrin's eyes are wide with surprise.

DAVRIN:
*By the Goddess.

OFF PANEL:
*What is it?

Panel: three
Medium Shot. Davrin, in background, looks toward Sarkon with a startled expression. Sarkon has his back to him yelling to someone off panel.

DAVRIN:
*It's her.

SARKON:
*Get me Cade on the Com channel!
NOW!

Panel: four
EXT. HIGH SCHOOL, SEATTLE – DAY

Establishing Shot. A typical High School during a school day. Kids are on the lawn talking or hanging by the steps.

CAP:
This is my school.

CAP:
Heaven and Hell wrapped in brick,
chalk and sweaty jock straps.

Panel: five
INT. CORRIDOR, SCHOOL – DAY

Close Up. Lucy Anna's intent emerald eyes through her thick-rimmed glasses.

CAP:
But what matters now is the gorgeous
brunette that walks the busy school corridor.

Page Seventeen, Splash Page.

Splash Page
Lucy Ann walks down a school corridor. The sun shines through the large window behind her. She has an intent look about her. Kids in the corridor look at her in shock and disgust.

(Cont'd)
CAP:
And that is me.

Page Eighteen, Six Panel Layout.

Panel: one
Medium Shot. Lucy Anna is at her locker, fiddling with the combination lock.

CAP:
Not everyone was best pleased with the way I look today.
I dress up to make myself look more attractive and people still think of me as that Tomboy freak.

Panel: two
Medium Shot. She is trying to pull at the lock of the door to her locker, straining as she does.

CAP:
Just this morning, even before first period,
that big fake-titted cheerleading slut called Rebecca Crass
poked fun at me.

Panel: three
Medium Shot. She shakes the lock with an angrily expression.

CAP:
'What are you done up for? Working a different
corner tonight?'

Panel: four
Close Up. Lucy Anna's tightly clenched fist steams up slightly.

CAP:
Her and her friend would laugh and laugh and laugh…

Panel: five
Close Up. Her eyes are sharp with anger.

CAP:
They just won't stop laughing!

Panel: six
Medium Shot. She slams her fist into the locker, denting the door.

Page Nineteen, Five Panel Layout.

Panel: one
Medium Shot. Lucy Anna looks at her hand, fearful. The underside of her hand is char-like with tiny green cracks.

LUCY ANNA:
Oh no. Oh no. Not now.
Not today.
This can't be happening.

Panel: two
Close Up. From her point of view, she looks at the underside of her hand as the char starts to disappear.

Panel: three
Same Shot. The char is smaller.

Panel: four
Same Shot. The char has disappeared.

LUCY ANNA:
Oh, thank God.
Thank you.

Panel: five
Medium Shot. From behind, Lucy Anna is looking at her hand as another hand (a young man's) reaches for her shoulder.

LUCY ANNA:
I nearly lost it there.

OFF PANEL:
Are you…

Page Twenty, Two Panel Layout.

Panel: one
Medium Shot. Lucy Anna jumps in total surprise with the hand touching her shoulder. Her hands have changed to char like with green flame around them. Behind her is Mathew 'Matt' Alice who reacts similarly.

Panel: two
Medium shot. A frightened Lucy Anna looks at her hands that are still charred and wrapped in green flame. She keeps her back to Matt is bewildered.

MATT:
Talk about over reacting.
You okay, Lu?

Page Twenty-One, Six Panel Layout.

Panel: one
Medium Shot. Lucy Anna has quickly turned around keeping her hands behind her back. She smiles awkwardly at Matt who continues to look at her bewildered.

Lucy Anna:
Oh… hi Matt. I'm okay.
You really shouldn't have snuck on me like that.

MATT:
I'll keep that in mind. You seem a bit jump today,
Lu.

Panel: two
Medium Shot. Lucy Anna presses herself up against the lockers trying to keep her hands out of Matt's sight. Matt is trying to peer behind her.

LUCY ANNA:
Um… Nothing.

MATT:
You are hiding something, girl.

LUCY ANNA:
I'm telling you I've got nothing.

Panel: three
Medium Shot. Matt looks to have an idea in his head as Lucy Anna looks nervous.

LUCY ANNA:
What?

Panel: four
Medium Shot. Matt quickly pulls off Lucy Anna's glasses. She freaks.

LUCY ANNA:
MATT!!

MATT:
Own up, Lu! What are you hiding?

Panel: five
Medium Shot. Lucy Anna is jumping for her glasses as Matt holds them high up where she can't reach. Her hands are no longer glowing. Other kids just watch, some are chuckling.

LUCY ANNA:
Give them back!!

MATT:
No way. This is too much fun.

Panel: six
Medium Shot. Lucy Anna shouts at him. Matt flinches away in frightened surprise as he hold them out.

LUCY ANNA:
GIVE THEM BACK!

MATT:
Okay.

Page Twenty-Two, Four Panel Layout.

Panel: one
Medium Shot. Lucy Anna puts her glasses back on as Matt looks sorry.

MATT:
Jeez, Lu. I'm sorry. I didn't
mean for you to Hulk-out.

LUCY ANNA:
It's okay. I've just been a little on edge is all.

Panel: two
Medium Shot. Matt looks at her with awe. Lucy Anna is oblivious as she straightens her clothes.

MATT:
Why… why are you dressed up?

LUCY ANNA:
I'm going to ask Dominic out.

Panel: three
Medium Shot. Matt is worried as he looks at Lucy Anna as she opens her dented locker door.

MATT:
You can't ask that moron out. His brains
are located in his helmet. And I'm not talking about
the thing he uses for football practice.

LUCY ANNA:
You know full well he has been our friend
since we were in kindergarten. He is the smartest person in this
except for me of course. He has never been anything but a true
true friend to us.

MATT:
Yeah, but…

Panel: Four
Medium Shot. Lucy Anna looks at Matt coyly. Matt is slightly embarrassed.

LUCY ANNA:
If I didn't know any better,
I swear you were jealous.

MATT:
Well…

Page Twenty-three to Twenty-Four, Double Page Spread.

Double Page Spread
Cade's batted and broken body explodes from the wall, knocking down Matt and Lucy Anna. Kids look back in horror as they run.

Page Twenty-Five, Three Panel Layout.

Panel: one
The 'bum' stands in the opening where the wall once was. Its eyes are glowing red.

'BUM':
Target Identified. Setting Capture Protocols.

Panel: two
Close Up. Cade is lying unconscious. His face is battered, blooded and bruised.

OFF PANEL:
No!

Panel: three
Close Up. Matt is lying unconscious. He is bleeding from an open gash.

OFF PANEL:
No! No! No!

Page Twenty Six, Splash Page Layout.

Lucy Anna is on her knees. Her clothes are ripped and torn. She is powered up (see character description) with the char-like skin and green flames around her fist.

LUCY ANNA:
WHAT!
IS!
HAPPENINNNNGGGGG???!!!





END OF ORIGINS: ISSUE ONE.

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Stevie1710's Profile Picture
Stevie1710
Steven Robert Pearce
Artist | Hobbyist | Other
United Kingdom
I enjoy comics very much since school. Hope to one day pay comics back for all the fun. I also write and have several novels in the works as well as scripts.

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:iconfarrone:
Farrone Featured By Owner Sep 10, 2014  Hobbyist Digital Artist
Thank you very much for the fav ^^ 
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:iconstevie1710:
Stevie1710 Featured By Owner Sep 12, 2014  Hobbyist Artist
you are very welcome
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:icondevduck01:
devduck01 Featured By Owner Aug 7, 2014  Hobbyist Writer
Thanks for faving
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:iconstevie1710:
Stevie1710 Featured By Owner Aug 14, 2014  Hobbyist Artist
No Probs
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:iconpencilsandstrings:
pencilsandstrings Featured By Owner Oct 8, 2013  Professional Traditional Artist
Thanks for the Batgirl fave! Much appreciated :D
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:iconstevie1710:
Stevie1710 Featured By Owner Oct 12, 2013  Hobbyist Artist

You are most welcome

 

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:iconbobtheegg:
BobTheEgg Featured By Owner Sep 2, 2012   General Artist
Thanks for watching DCnU! :D We would be honored to have you in members!
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:iconshawnvanbriesen:
ShawnVanBriesen Featured By Owner Aug 15, 2011  Professional Traditional Artist
Thanks for the :+fav:s and the :+devwatch:!
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:iconstevie1710:
Stevie1710 Featured By Owner Aug 16, 2011  Hobbyist Artist
no probs
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:iconjaney-jane:
janey-jane Featured By Owner Aug 15, 2011
*dances for the watch* :heart:
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